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  5. Professor Newton Armstrong
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photo of Newton Armstrong

Professor Newton Armstrong

Professor of Music

School of Communication & Creativity Department of Performing Arts

Contact details

  • +44 (0)20 7040 8276
  • Newton.Armstrong.1@citystgeorges.ac.uk
  • About
  • Research
  • Publications

About

Overview

Professor Newton Armstrong is a composer, performer, and occasional builder of electronic musical instruments. His work has encompassed a wide range of activities, including score-based instrumental music, projects for children, and improvisation projects with dancers, choreographers, film, video, and installation artists. Much of his music is situated across and between the areas of instrumental and electronic music, with focus directed towards the composed interactions between people, technologies, and their environments.

Armstrong has been the recipient of grants and commissions from the Andrew W. Mellon Foundation, the Australia Council for the Arts, the Australian Network for Art and Technology, the Ian Potter Foundation, Arts Victoria, ELISION, LIBRA, and the Merce Cunningham Dance Company. His music has been featured at festivals such as Darmstadt, Festival d'Automne à Paris, Festival of Exiles (Berlin), What is Music? (Melbourne), Movement Research Festival (New York), Grønland Kammermusikkfestival (Oslo), Images Sonores (Liège), Ars Musica (Brussels), Unerhörte Musik (Berlin), and Music at Villa Romana (Florence).

After completing a PhD at Princeton University (2001-6), he taught in the Music Department and Graduate Program in Electroacoustic Music at Dartmouth College, USA (2006-8). He joined City University London as University Research Fellow in 2009, and was appointed Lecturer in Composition in 2011.

Qualifications

  • Ph.D., Princeton University, United States, 2006
  • M.F.A., Princeton University, United States, 2003
  • M.Mus., University of Melbourne, Australia, 1996
  • B.Mus. (Hons), University of Melbourne, Australia, 1991

Research

Research interests

Instrumental and Electronic Composition
Electronic and Digital Performance
Sound Art
Acoustics, Psychoacoustics, and Phenonenologies of Listening
Software and Hardware Design and Development
Aesthetics of 20th and 21st Century Experimental Music

Publications

Publications by category

Book

  • Armstrong, N. (2007). An Enactive Approach to Digital Musical Instrument Design. VDM Verlag Dr. Mueller e.K.. ISBN 9783836419260.

Chapters (2)

  • Hall, T., Armstrong, N. and Hoadley, R. (2025). Notations and Score-making. The SuperCollider Book (pp. 677-706). Massachusetts, USA: MIT Press. ISBN 9780262049702.
  • Lambert, A., Weyde, T. and Armstrong, N. (2014). Beyond the Beat: Towards Metre, Rhythm and Melody Modelling with Hybrid Oscillator Networks. In Georgaki, A. and Kouroupetroglou, G. (Eds.), Music Technology Meets Philosophy: from Digital Echos to Virtual Ethos (pp. 485-490). San Francisco: International Computer Music Association. ISBN 9780984527434.

Compositions (14)

  • Armstrong, N.(2022). The Book of the Sediments.
  • Armstrong, N.(2019). Two Canons for Kathryn. (CD)
  • Armstrong, N.(2019). A line alongside itself.
  • Armstrong, N.(2018). thread—surface.
  • Armstrong, N.(2016). Partial objects.
  • Armstrong, N.(2016). The way to go out.
  • Armstrong, N.(2015). Modes of forgetting.
  • Armstrong, N. Nature pieces. (Composition)
  • Armstrong, N.(2012). making one leaf transparent and then another.
  • Armstrong, N.(2011). Too slow, for Milton. (Composition)
  • Armstrong, N.(2010). unsaying.
  • Armstrong, N.(2010). Study in tiled light. (Two pianos)
  • Armstrong, N.(2010). Three Windows. (Piano and live electronics)
  • Armstrong, N., Chavez, M., Linton, D. and Moore, S.(2008). Beacon Event.

Conference papers and proceedings (5)

  • Lambert, A.J., Weyde, T., Armstrong, N., Mandel, M.I., Devaney, J., Turnbull, D.... Tzanetakis, G. (2016). Adaptive Frequency Neural Networks for Dynamic Pulse and Metre Perception. 17th International Society for Music Information Retrieval Conference, ISMIR 2016 7-11 August, New York City, United States.
  • Armstrong, N. (2015). Listening as a material. Troisième Biennale d'Analyse Musicale 2015 26-27 March, Conservatoire royal de Mons.
  • Lambert, A., Weyde, T. and Armstrong, N. Perceiving and predicting expressive rhythm with recurrent neural networks. .
  • Lambert, A., Weyde, T. and Armstrong, N. (2014). Studying the Effect of Metre Perception on Rhythm and Melody Modelling with LSTMs. 3rd International Workshop on Musical Metacreation, held at the 10th Artificial Intelligence and Interactive Digital Entertainment Conference 3-10 January, Raleigh, USA.
  • Lambert, A., Weyde, T. and Armstrong, N. Beyond the beat: Towards metre, rhythm and melody modelling with hybrid oscillator networks. .

Internet publications (2)

  • Armstrong, N.(2013).Stockhausen's MANTRA (1970): A Technical Guide.
  • Armstrong, N.(2008).A Too Brief Introduction to the New York School.

Journal articles (2)

  • J. Elmsley (né Lambert), A., Armstrong, N. and Weyde, T. (2017). Generating Time: Rhythmic Perception, Prediction and Production with Recurrent Neural Networks. Journal of Creative Music Systems, 1(2). doi:10.5920/jcms.2017.04

    [publisher’s website]

  • Armstrong, N. (2014). Bold Tendencies. TEMPO, 68(267), pp. 63-65. doi:10.1017/S0040298213001393

    [publisher’s website]

Media

  • Armstrong, N.(2020). The way to go out.

Software

  • Armstrong, N. (2023). Fosc v0.9.0. GitHub.

Other (2)

  • Armstrong, N.(2019). The in-between of line and surface: A line alongside itself.

    [publisher’s website]

  • Knoop, M., Chadwick, R. and Armstrong, N.(2015). Karlheinz Stockhausen: Mantra.

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