Contact details
About
Overview
Claudia Molitor is a composer and artist whose work hovers between music and sound art, extending across contemporary art practices, such as video and installation art. Exploring the role listening can play in our world as well as embracing collaboration as compositional practice is central to much of her practice.
Some larger scale work includes Sonorama, an episodic work for a train journey, with Electra Productions, Turner Contemporary and the British Library, which received a British Composer Award; The Singing Bridge, installed at Somerset House and Waterloo Bridge during the Totally Thames festival; Walking with Partch for the Cologne based ensemble Musikfabrik at hcmf// (Huddersfield/UK); the headphone piece Auricularis Superior at the World Music Days in Tallinn (Estonia); the audio-visual installation Listen to my World which toured to Wilde Western (Kortrijk/Belgium), Spor (Aarhus/Denmark), hcmf//, Onassis Cultural Centre (Athens/Greece), Time of Music (Viitasaari/Finland) ; A Thousand Words for Weather produced and commissioned by Artangel, installed at Senate House Library and Fever, an eight trumpet and electronics work for The Monochrome Ensemble performed at hcmf// and Maerz Music (Berlin/Germany) and The unheard also glistens (Rainy Days Festival, Luxembourg).
Research
Research Interests
Composition and sound art
Expanded notation
Interdisciplinary practices
Collaborative practices
Phenomenology of Listening
Publications
Publications by category
Books (2)
- Molitor, C. (2015). Sonorama: Listening to the view from the train. Uniformbooks. ISBN 9781910010037.
- Molitor, C. (Ed.), Hausmusik Kollektiv. Uniformbooks.
Chapters (2)
- Molitor, C. (2017). Professor Fox, will you draw me a doodle? In Dodd, R. (Ed.), Perspectives on the Music of Christopher Fox: Straight Lines in Broken Times Routledge. ISBN 9781472428240.
- Molitor, C. (2016). The Taste of the Apple. In Voegelin, S. and Gardener, T. (Eds.), Colloquium: Music – Sound Art Zero Books. ISBN 9781782798958.
Compositions (14)
- Molitor, C.(2025). The unheard also glistens.
- Molitor, C.(2024). Fever.
- Molitor, C.(2023). Sounds of the Darkroom.
- Molitor, C.(2019). Decay. (Vinyl record)
- Molitor, C.(2018). You touched the twinkle on the helix of my ear.
- Molitor, C. and Kohlmaier, J.(2018). Die Gedanken sind frei.
- Molitor, C.(2017). Auricularis Superior. (mp3)
- Molitor, C.(2017). MELT.
- Molitor, C.(2016). Walking with Partch.
- Molitor, C.(2016). The Singing Bridge.
- Molitor, C.(2015). 2TwoLO.
- Molitor, C.(2015). Sonorama. (mp3)
- Molitor, C.(2014). Vast White Stillness.
- Molitor, C.(2014). Und lass Dir…, (Print)
Exhibitions (4)
- Molitor, C.(2016). The Singing Bridge. September, Somerset House and Waterloo Bridge.
- Molitor, C.(2015). Sonorama. June- November, Turner Contemporary and SouthEast Rail.
- Molitor, C. Listen to my World. Wilde Western (Kortrijk/Belgium), Spor (Aarhus/Denmark), Transit (Leuven/Belgium), hcmf// (Huddersfield/UK), Onassis Cultural Centre (Athens/Greece), Time of Music (Viitasaari/Finland) 2022-23.
- Molitor, C. and Lee, J.J. A Thousand Words for Weather. Senate House Library.
Journal articles (3)
- Molitor, C. and Magnusson, T. (2021). Curating experience: Composition as cultural technology – a conversation. Journal of New Music Research, 50(2), pp. 184-189. doi:10.1080/09298215.2021.1898646
- Molitor, C. (2021). Composition as Hyperobject. APRIA Journal, 3(2), pp. 57-64. doi:10.37198/apria.03.02.a7
- Molitor, C. (2019). zuhanden. Tempo, (287)
Media (2)
- Molitor, C.(2023). In Den Träumen.
- Molitor, C. Have you ever.