Writing the Memoir

If you have a true story to tell and have been wondering how to start writing about it, this introduction to memoir writing workshop is for you. We will also touch on the differences between memoir and autobiography.

Topics covered

The memoir writing course will take the form of two workshops. We will be examining one or two key ideas on how to tackle writing about the truth. You will have the chance to read from your work and discuss your ideas in a safe peer group.

Monday writing workshop

• What is a memoir? The difference between autobiography, autobiographical fiction and memoir
• Planning a memoir: the picture or the journey?
• Getting started: structure and style
• Finding your voice
• A chance to write some memoir sketches

Tuesday writing workshop

• What is “truth” in memoir? Narrative and ownership
• The “chip of ice in the writer’s heart”: memory, subjectivity and the writer’s responsibilities when tackling problematic material
• Becoming a writer: the practice of writing

Who is it for?

The workshop is most suitable for those new to memoir writing. More experienced writers are also welcome, though should be aware this is an introductory course. Bring paper and pen and expect to take notes and bring ideas and questions too.

Timetable

The Writing the Memoir short course takes place on a Monday and Tuesday between 10.00-12.30.

City St George’s Short Courses follow the academic year, delivering courses over three terms. These include:

• Autumn - October
• Spring - January
• Summer - June

Benefits

• Learn from a professional memoir writer and novelist.
• Taught in small groups
• Awarded a City St George’s, University of London certificate

You will leave with a firm grounding in key aspects of writing a memoir and what you will need to consider before embarking on a memoir of your own.

Areas covered will include:

• Aspects of memoir-writing - what makes a good memoir?
• How to get started: ideas about structure and style
• Finding your voice: the importance of reading to writing
• What is “truth” in memoir-writing? Dealing with subjectivity and problematic material
• How to begin: the writer’s notebook

A two-day, seminar-style workshop. Written exercises in class. Q&As with the tutor throughout.

The workshop is most suitable for those new to memoir writing. More experienced writers are also welcome, though should be aware this is an introductory course.

Bring paper and pen and expect to take notes and bring ideas and questions too.

English requirements

The memoir writing course would best suit writers fluent in English.

Writing on writing

• To Show and to Tell, Philip Lopate, Simon and Schuster
• The Art of Memoir, Mary Karr, Harper Perennial
• The Situation and the Story, Vivian Gornick, Farrar, Straus and Giroux, New York
• Into the Woods, John Yorke, Penguin.

General Reminiscence

• Why be Happy When you Could be Normal, Jeanette Winterson, Penguin
• The Cost of Living, Deborah Levy, Penguin
• I Am, I Am, I Am, Maggie O'Farrell, Penguin
• Don't Let's Go to the Dogs Tonight, Alexandra Fuller, Random House.

Dealing with Difficult or Contentious Subject Matter

• The Last Act of Love, Cathy Rentzenbrink, Picador
• Homesick, Catrina Davies, Quercus
• A Place for Everything, Anna Wilson, HQ Books.

Finding our Way via a Connection with the Natural World

• The Outrun, Amy Liptrot, Canongate
• Hidden Nature, Alys Fowler, Hodder
• Wintering, Katherine May
• Nature Cure, Richard Mabey.

Memoir Based Around a Specific Experience or Event

• About a Son, David Whitehouse, Orion
• Sins of My Father, Lily Dunn, Weidenfeld and Nicolson
• Educated, Tara Westover, Windmill Books.