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photo of Ruth Herbert

Dr Ruth Herbert

Lecturer in Performing Arts

School of Communication & Creativity Department of Performing Arts

Contact details

  • +44 (0)20 7040 3372
  • Ruth.Herbert@citystgeorges.ac.uk
  • LinkedIn

Personal links

  • Google Scholar
  • ResearchGate
  • TableMusic Ensemble
  • About
  • Research
  • Publications
  • Professional activities

About

Overview

Dr Ruth Herbert is a music psychologist and performer with an international track record of publications in the fields of music in everyday life, music, health and wellbeing, music and consciousness (including ASC and Trance), sonic studies and music education. Further research interests include performance psychology, evolutionary psychology and ethology. As a professional pianist, Ruth has performed with various ensembles, notably recording soundtracks for silent films commissioned by the British Film Institute (BFI) with the piano trio Triptych, subsequently touring these works at major venues in the UK and USA (e.g. Barbican and Lincoln Centres). Ruth is a co-director of the Creative Health and Wellbeing Research Group

After gaining a BMus Hons (1st class) and MA (distinction) in performance practice from Cardiff University, Ruth won a Munster Trust scholarship to pursue postgraduate advanced solo studies at the Royal Academy of Music. In 2009 she was awarded a PhD in music psychology (awarded without corrections) from the University of Sheffield. Positions held include Senior Lecturer in Music and Director of Graduate Studies (Arts) at the University of Kent, Head of Performance Studies at Dartington College of Arts and Lecturer in Music for the Open University. Prior to her appointment at Kent, Ruth held a British Academy Postdoctoral Fellowship at the Faculty of Music, University of Oxford and a Junior Research Fellowship at Jesus College, Oxford. Publications include an edited volume (with Eric Clarke (University of Oxford) and David Clarke (Newcastle University) on music and consciousness (OUP, 2019), a book on the psychology of everyday listening (Ashgate, 2011), chapters in edited volumes on Music and Consciousness (OUP, 2019, 2011; University of Wales Press, 2017), modes of music listening (Rombach-Verlag, 2017), Sounding Art (Routledge, 2017), peer-reviewed articles in a range of journals in music psychology and ethnomusicology, plus encyclopaedia entries in these fields (Sage, 2014). Forthcoming publications include a new OUP edited volume (with Nicola Shaughnessy (University of Kent) and Emma Williams (University of Surrey) titled 'Beyond Autistic Stereotypes: New Perspectives on Identities, Gender and Experience

Ruth has also published extensively on aspects of music teaching and education in mainstream specialist magazines (Rhinegold, Aceville publications and ABRSM publishing), in addition to undertaking consultancy work for OMD UK (featured in the Mail Online), the Daily Telegraph and the BBC. Ruth is a member of the editorial board for the Journal of Sonic Studies, Musicae Scientiae and Global Listening Centre and a trustee for the National Youth Jazz Collective and Beyond Divisions Education Trust.

She is a committed educator, possessing SFHEA status and a PGDipLATHE (Oxon)

Current Research Grants:

CREATE ('Creating Research Ecologies to Advance Transdisciplinary Learning on arts-based programmes through the study of adolescent loneliness'. Role: Co-Investigator. PI Paul Cooke, University of Leeds)

Research

Interdisciplinary researcher, music psychologist and professional pianist. Research interests embrace health and wellbeing, medical humanities, socially engaged participatory arts, music education, music and consciousness (including ASC, Trance, 4E cognition), ecological approaches to perception, sonic studies, evolutionary psychology, ethology and performance psychology. One key focus is the subjective experience (phenomenology) of music in daily life, and the transformations of consciousness that may occur in conjunction with engagement with the arts in everyday life and participatory arts contexts. Previously principal Investigator for British Academy postdoctoral study of age-related differences in 10-18 year-olds experiences with and of music (£227,998); Co-Investigator for AHRC funded interdisciplinary project investigating autistic girls identities and experiences (£645,180); Co-Investigator for UKRI programme award on arts-based practices and adolescent mental health (£1.25m). Publications include a co-edited volume on music and consciousness (OUP, 2019), a monograph on everyday music listening (Routledge 2016[2011) and a co-edited volume titled ‘Beyond Autistic Stereotypes: Gender, Identity and Experience (forthcoming OUP).

Research students

Adam Ficek

Thesis title: How Professional, Popular Musicians Understand Their Musicking in Relation to Mental Health: an Interpretative Phenomenological Analysis

Role: External Supervisor

Philip Meadows

Thesis title: Developing Creative Skillsets for UK Orchestral Musicians

Role: 1st Supervisor

Further information: CHASE-funded PhD studentship

Naadia Manington

Thesis title: Women in Contemporary UK Jazz: Artistic Voice, Gender and Professional Identity

Role: 1st Supervisor

Further information: CHASE funded CDA with the National Youth Jazz Collective

Michael Bonner

Thesis title: Investigating Professional Classical Guitarists’ Performance-Related Musculoskeletal Disorders: Exploring Lived Experience & Evaluating a New Guitar Support

Role: 1st Supervisor

Publications

Publications by category

Books (3)

  • Herbert, R., Clarke, D. and Clarke, E. (2019). Music and Consciousness 2 Worlds, Practices, Modalities. Oxford University Press. ISBN 9780192526502.
  • Herbert, R. (2019). Music and Consciousness 2: Worlds, Practices, Modalities. Herbert, R., Clarke, D. and Clarke, E. (Eds.), UK: Oxford University Press.
  • Herbert, R. (2016). Everyday Music Listening. Routledge.

Chapters (14)

  • Herbert, R. and Parkinson, A. (2025). Cross-Genre Musicking in Individual and Collaborative Group Contexts: Lived Experience and Musical Identity. Music Performers' Lived Experiences (pp. 166-187). Routledge.
  • Herbert, R. (2022). Musical Daydreaming and Kinds of Consciousness. Music and Mental Imagery (pp. 167-177). Routledge.
  • Herbert, R. (2021). Young People’s Lived Experience of Music in Everyday Life. The Oxford Handbook of the Phenomenology of Music Cultures (pp. 173-198). Oxford University Press. ISBN 9780190693879.
  • Herbert, R. (2019). Absorption and openness to experience: An everyday tale of traits, states, and consciousness change with music. Music and Consciousness 2 (pp. 233-253). Oxford University PressOxford. ISBN 0198804350.
  • Herbert, R. (2017). Everyday Trancing and Musical Daydreams. In Finnegan, R. (Ed.), Entrancement: Tales of Earth and Heaven Cardiff: University of Wales Press. ISBN 9781786830005.
  • Herbert, R. (2017). Multimodales Musikhören und Milton Ericksons ?gewöhnliche Alltagstrance? Geschichte und Gegenwart des musikalischen Hörens: Diskurse ? Geschichte(n) ? Poetiken (pp. 133-152). Freiberg/Berlin/Wien: Rombach Verlag KG.
  • Herbert, R. (2016). Sonic Subjectivities. In Cobussen, M., Meelberg, V. and Truax, B. (Eds.), The Routledge Companion to Sounding Art New York, USA: Routledge. ISBN 9781315770567.
  • In Cobussen, M., Meelberg, V. and Truax, B. (Eds.), (2016). The Routledge Companion to Sounding Art. In Routledge.
  • Herbert, R. (2014). DISSOCIATION. In Thompson, W.F. (Ed.), Music in the Social and Behavioral Sciences: An Encyclopedia (pp. 337-339). SAGE.
  • Herbert, R. (2014). TRANCE. In Thompson, W.F. (Ed.), Music in the Social and Behavioural Sciences: An Encyclopedia (pp. 1142-1145). SAGE.
  • Herbert, R. (2011). Consciousness and everyday music listening:trancing, dissociation, and absorption. Music and ConsciousnessPhilosophical, Psychological, and Cultural Perspectives (pp. 295-308). Oxford University Press. ISBN 9780199553792.
  • Herbert, R. Sonic Lives. In Herbert, R., Shaughnessy, N. and Williams, E. (Eds.), Beyond Autistic Stereotypes: New Perspectives on Identities, Gender and Experience Oxford University Press.
  • Herbert, R., Shaughnessy, N. and Williams, E. Introduction to Beyond Autistic Stereotypes: New Perspectives on Identities, Gender and Experience: Introduction. In Herbert, R., Shaughnessy, N. and Williams, E. (Eds.), Beyond Autistic Stereotypes: New Perspectives on Identities, Gender and Experience Oxford University Press.
  • Herbert, R., Shaughnessy, N. and Williams, E. Afterword: 'On Time'. In Herbert, R., Shaughnessy, N. and Williams, E. (Eds.), Beyond Autistic Stereotypes: New Perspectives on Identities, Gender and Experience Oxford University Press.

Conference papers and proceedings (10)

  • Shaughnessy, N., Herbert, R. and Walduck, J. (2025). Panel: Attuning to Impact Creatively: Evaluating Participatory Arts in Adolescent Mental Health Research. Paper title: Creative Process as Impact: The Participatory Play Framework. More Culture Less Medicine - 5 Years On 14-15 February, University of Brighton.
  • Herbert, R., Moran, N. and Kim, Y. (2022). Participation and Playing A/Part. 13th Conference on Interdisciplinary Musicology 8-10 June, Edinburgh, UK.
  • Herbert, R. and Walduck, J. Waiting. Drifting/dreaming/trancing: Audio-visual art and core consciousness. .
  • Herbert, R., Walduck, J., Newman, H. and Shaughnessy, N. (2021). Neurodiverse Worlds: Articulating the Subjective Experience of Autistic Girls Through Music and Sound. 16th International Conference on Music Perception and Cognition 28-31 July, Online.
  • Herbert, R. In the Dark: Audience Experience of Music Events when Sight is Restricted or Absent. SPARC.
  • Herbert, R. and Dibben, N. (2015). Making Sense of Music: Meanings Children and Adolescents Perceive in Musical Materials. Conference of the European Society for the Cognitive Sciences of Music 17-22 August, Manchester, UK.
  • Herbert, R., Bagkeris, M., Ginsborg, J., Lamont, A. and Bramley, S. (2015). Tweens’ and teens’ engagement with music in daily life: Individual differences and psychological characteristics of subjective experience. Conference of the European Society for the Cognitive Sciences of Music 17-22 August, Manchester, UK.
  • Herbert, R. (2013). Music and Dissociation: Experiences without valence? ’Observing’ self and ’absent’ self. 3rd International Conference on Music & Emotion 11-15 June, Jyväskylä, Finland.
  • Herbert, R. (2012). Young People's Use and Subjective Experience of Music Outside School. 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music 23-28 July, Thessaloniki, Greece.
  • Herbert, R. Conceptualising the Subjective Experience of Listening to Music in Everyday Life. 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music 23-28 Jul 2012.

Journal articles (19)

  • Duara, R., Pavlopoulou, G., Hugh-Jones, S., Shaughnessy, N., Herbert, R., Baker, S.... Cooke, P. (2025). Exploring similarities and differences in how researchers and young people understand key terms in youth mental-health research. Humanities and Social Sciences Communications, 12(1). doi:10.1057/s41599-025-05809-5

    [publisher’s website]

  • Herbert, R. and Walduck, J. (2024). Music, marbling and multisensory trancing. The Senses and Society, 19(3), pp. 351-365. doi:10.1080/17458927.2024.2398916

    [publisher’s website]

  • Shaughnessy, N., Herbert, R., Williams, E., Walduck, J., von Jungenfeld, R. and Newman, H. (2024). Playing with data differently: engaging with autism and gender through participatory arts/music and a performative framework for analysis. Frontiers in Psychology, 15. doi:10.3389/fpsyg.2024.1324036

    [publisher’s website]

  • Williams, E., Glew, S., Newman, H., Kapka, A., Shaughnessy, N., Herbert, R.... Hugh‐Jones, S. (2023). Practitioner Review: Effectiveness and mechanisms of change in participatory arts‐based programmes for promoting youth mental health and well‐being – a systematic review. Journal of Child Psychology and Psychiatry, 64(12), pp. 1735-1764. doi:10.1111/jcpp.13900

    [publisher’s website]

  • Herbert, R. and Dibben, N. (2018). Making sense of music: Meanings 10- to 18-year-olds attach to experimenter-selected musical materials. Psychology of Music, 46(3), pp. 375-391. doi:10.1177/0305735617713118

    [publisher’s website]

  • Herbert, R. (2014). Music and Me. Teach Primary Magazine, 4, pp. 110-111

    [publisher’s website]

  • BAILES, F. (2013). Everyday music listening: absorption, dissociation and trancing by Ruth Herbert. Farnham: Ashgate, 2011. x + 234 pp., hardback. ISBN 9781409421252. British Journal of Music Education, 30(2), pp. 300-302. doi:10.1017/s0265051712000484

    [publisher’s website]

  • Herbert, R. (2013). An empirical study of normative dissociation in musical and non-musical everyday life experiences. Psychology of Music, 41(3), pp. 372-394. doi:10.1177/0305735611430080

    [publisher’s website]

  • Herbert, R. (2013). Harris M. Berger, Stance: Ideas About Emotion, Style, and Meaning for the Study of Expressive Culture. Volume !, 10 : 1, pp. 301-303. doi:10.4000/volume.3583

    [publisher’s website]

  • Herbert, R. (2012). Private Lives. https://www.rhinegold.co.uk/rhinegold-publishing/magazines/music-teacher/

    [publisher’s website]

  • Herbert, R. (2012). Modes of Music Listening and Modes of Subjectivity in Everyday Life. Journal of Sonic Studies, 2, pp. 1-24

    [publisher’s website]

  • Herbert, R. (2012). Musical and non-musical involvement in daily life: The case of absorption. Musicae Scientiae, 16(1), pp. 41-66. doi:10.1177/1029864911423161

    [publisher’s website]

  • Herbert, R. (2011). Reconsidering Music and Trance: Cross-cultural Differences and Cross-disciplinary Perspectives. Ethnomusicology Forum, 20(2), pp. 201-227. doi:10.1080/17411912.2011.592402

    [publisher’s website]

  • Herbert, R. (2007). Surround Sound: The vital role of specialist music teachers in primary education. Music Teacher Magazine, 86

    [publisher’s website]

  • Herbert, R. (2006). Listen Up! Different ways of listening (or not) to music. Music Teacher Magazine, 85

    [publisher’s website]

  • Herbert, R. (2005). Adults only: How understanding student & teacher presumptions can speed up the learning process. Music Teacher Magazine, 84

    [publisher’s website]

  • Herbert, R. (2005). Practice makes Perfect: Techniques that can lead to improved motivation. Music Teacher Magazine, 84

    [publisher’s website]

  • Herbert, R. (2004). Mind your Language: How the right choice of words can improve communication and results. Music Teacher Magazine, 83

    [publisher’s website]

  • Herbert, R. (2004). A popular approach: Bridging the divide between classical and popular piano. Music Teacher Magazine, 83

    [publisher’s website]

Media (2)

  • Herbert, R.(2002). After Death (Evgenii Bauer, music performed by Triptych).
  • Herbert, R.(2001). Oscar Wilde’s Lady Windermere’s Fan.

Other (2)

  • Herbert, R.(2022). Everyday Trancing, Creativity and 4E Cognition.

    [publisher’s website]

  • Herbert, R.(2021). Psychological Characteristics of Subjective Experiences of Popular Music in Everyday Life.

    [publisher’s website]

Professional activities

Editorial activity (4)

  • Music Research Annual, Editorial Board Member, 2023 - present.
  • Musicae Scientiae, Book Reviews Editor, 2022 - 2024.
  • Musicae Scientiae, Associate Editor, 2018 - present.
  • Journal of Sonic Studies, Editorial Board Member, 2014 - present.

Event/conference

  • UCL Institute of Music Education and Research Centre (iMERC) Seminar. (Seminar) Institute of Education, London (2025). Invited speaker.
    Paper: Creative process as impact: The participatory play framework
    Co-authors: Shaughnessy, N., Herbert, R., Walduck, J.

Keynote lectures/speeches (8)

  • Whose Voice is it anyway? Storying ourselves and others. North Carolina State University, Raleigh (Scholarly Communications Institute) (2024). Addressing key issues in scholarly communication - inclusivity, transparency, accessibility and reach.
  • Absorption. Music Cognition Lab, Princeton University, US (2023). The phenomenology of multimodal absorbed experiences
  • Keynote: 'Musical Participation'. Edinburgh, UK (2022). Conference on Interdisciplinary Musicology (CIM22), Universities of Edinburgh/HongKong June 2022
  • Guest Lecture: 'Everyday Trancing, Creativity & 4E Cognition'. Sweden (2022). O/Modernt, Stockholm, Sweden,
  • Keynote: 'Listening to Popular Music in Daily Life'. University of Innsbruck Austria (2021). Conference: Listening to (Mainstream) Popular Music in 2021: Sounds and Practices
  • Guest Lecture: 'Everyday Musical Daydreams and Kinds of Consciousness'. Humboldt-Universität zu Berlin (2017). KOSMOS Dialogue (Symposium) on Music, Emotion & Visual Imagery, Humboldt-Universität zu Berlin
  • Ubiquitous Musics: Music and the Extended Self. University of Leiden (2015). Psychological perspectives on music listening
  • Multimodal Music Listening and Erickson’s Concept of the “Common Everyday Trance”. University of Graz, Austra (2013). Multimodal, distributed listening and modes of subjective experience

Radio programmes (6)

  • BBC Radio 4- Illuminated. One Hundred Ways of Listening. BBC Radio 4 (2025). Distracted, privatised, enchanted - do you ever think about how you listen? For the last 20 years, sound anthropologist Dr Tom Rice has been collecting different ways of listening from the world’s leading sound experts. Contributors: Bernd Brabec, University of Innsbruck; Ruth Herbert, University of Kent and City University; Dylan Robinson, University of British Columbia.
  • BBC Radio Kent Dominic King Show. BBC Radio Kent (2021). Interview feature on arts and health initiatives and benefits
  • BBC Radio Kent Steve Ladner Show. BBC Radio Kent (2020). Mixtapes and music listening
  • BBC Radio 4 PM. BBC Radio 4 Pre-recorded talk on music, consciousness and brain injury
  • BBC Radio 4 Sunday. BBC Radio 4 Guest speaker on special programme about Religion and Music, with feature on rituals, music and trance. https://www.bbc.co.uk/programmes/m0007wql
  • BBC Radio 5 Live late night show. BBC Radio 5 Live Live interview on music, food and multisensory experience

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