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photo of Lambros Fatsis

Dr Lambros Fatsis

Senior Lecturer in Criminology

School of Policy & Global Affairs Department of Sociology and Criminology

Contact details

  • +44 (0)20 7040 5060
  • Lambros.Fatsis@citystgeorges.ac.uk
  • LinkedIn profile

Personal links

  • Blog website
  • About
  • Research
  • Publications
  • Professional activities

About

Overview

(Dr) Lambros Fatsis | FHEA (he/him) joined the Department as a Senior Lecturer in Criminology in September 2023. He previously taught at the University of Brighton, the University of Southampton and the University of Sussex.

At Southampton, he won a Faculty Teaching Award, a ‘Most Engaging Lecturer’ award and was nominated twice for the Vice-Chancellor’s Teaching Award and the Students’ Union ‘Best Academic Support’ award. At Sussex, he won an Excellence in Teaching Award and was nominated for a Student Led Teaching Award. At Brighton, Lambros won an Outstanding Research & Enterprise Impact Award.

Fusing Cultural Criminology with Black radical thought, his scholarly interests and expertise revolve around police racism and the criminalisation of Black/Afro-diasporic music culture(s) from the era of colonial slavery to the present day.

When he don’t teach or write, Lambros continues to exist as a never-recovering vinyl-head and lover of Afro-Caribbean music — playing all-vinyl DJ sets as Boulevard Soundsystem and boasting collaborations with household names of the UK and European soundsystem reggae scene that include: Roots Garden Records, MC Brother Culture, MC Ishu, Ras Styler (House of Roots) MC Champian (Jamdown Rockers, Tighten Up), Serocee (Jambrum), MC Trooper, DJ Cut La Vis, Anna Mystic and Blend Mishkin.

PHD SUPERVISION

Dr Fatsis would be delighted to receive proposals for doctoral studies in his areas of expertise as listed below:

• Cultural and Critical Criminology

• Criminalisation of Black/Afro-diasporic music(s)

• Police racism

• Black British history and subcultures (especially soundsystem culture)

• Sociology of public and intellectual life

Qualifications

  • Postgraduate Certificate in Higher Education (PGCertHE), University of Southampton, United Kingdom
  • Fellowship of the Higher Education Academy, Higher Education Academy, United Kingdom
  • Associate Fellowship of the Higher Education Academy, Higher Education Academy, United Kingdom
  • PhD in Sociology, University of Sussex, United Kingdom
  • MSc in Sociology, London School of Economics and Political Science, United Kingdom
  • BA Hons in Sociology, Bangor University, United Kingdom

Awards

  • University of Brighton (2021). Outstanding Research & Enterprise Award
  • University of Southampton (2019). Most Engaging Lecturer Students’ Union Academic Award
  • University of Southampton (2018). Best Academic Support Students’ Union Academic Award
  • University of Southampton (2018). Vice Chancellor’s Teaching Award
  • British Society of Criminology (2018). Blogger of the Year Award
  • University of Southampton (2017). Faculty Teaching Award
  • University of Sussex (2016). Excellence in Teaching Award: Outstanding or Innovative Undergraduate Teaching
  • University of Sussex (2015). Student-Led Teaching Award on Assessment and Feedback, and Support for the Learning Experience of Students

Languages

French (can read, understand spoken) and Greek, Modern (1453-) (can read, write, speak, understand spoken, peer review)

Research

Research Focus/Expertise

Dr Fatsis’ research focuses on police racism and the criminalisation of Black/Afro-diasporic music(s), drawing primarily on Cultural Criminology and Black radical thought. He is particularly interested in how certain forms of public expression and creativity are not only marginalised in the relevant academic literature, but also criminalised by law enforcement agencies and the legal penal system more broadly. As such, Dr Fatsis’ work addresses ‘deviance’ as a racialised political category in the context of Britain's colonial past and institutionally racist present, with a particular emphasis on policing.

Overview of Published Research

Parts of Dr Fatsis’ research on the policing of UK grime and drill music have been published in highly-ranked journals like The Sociological Review and Crime, Media, Culture, alongside multiple contributions to edited volumes for prestigious academic publishers and university presses. He is also the author of Policing the Beats: Black Music, Racism and Criminal Injustice and the co-author of Policing the Pandemic: How Public Health Becomes Public Order (with Melayna Lamb) and The Public and Their Platforms: Public Sociology in an Era of Social Media (with Mark Carrigan).

Research Impact/Knowledge Exchange

Dr Fatsis regularly provides expertise on debates around policing and the criminalisation of Black music subcultures to a variety of print, broadcast and online media and international policy-making organisations that include: the British Society of Criminology blog, StopWatch, Discover Society, The Conversation, The Sociological Review blog, Identities, The Guardian, The Independent, Huffington Post, BBC Radio Sussex, the prominent Brazilian newspaper O Globo and the Getulio Vargas Foundation (FGV) in Rio de Janeiro, Brazil.

In January 2019, he was announced as the winner of the first-ever ‘British Society of Criminology Blogger of the Year Award’ in recognition of his article ‘Policing Black Culture One Beat at a Time’. As an expert in the policing of Black music genres, Dr Fatsis’ work has also been featured in the British Society of Criminology Podcast, the Oxford Centre for Criminology podcast, the Media Law Podcast, the Transforming Society podcast, the Mixed in Key Podcast, a short documentary on UK drill music: ‘TRUE 808 | UK Drill’ and a longer feature on Italian and UK drill music for the national Italian television network RAI3.

Since 2020, Dr Fatsis has been regularly called upon to act as an expert witness (for the defence) in criminal trials, where rap and drill music is being used as incriminating evidence in court. He is also a core/founding member of the Prosecuting Rap Expert Network, made up of scholars and experts in rap and Black youth culture. In May 2022, Dr Fatsis was appointed as an Advisor to the Brighton-based youth music charity, AudioActive and a core/founding member of the Art, Not Evidence campaign against the criminalisation of UK drill music.

Publications

Publications by category

Books (3)

  • Fatsis, L. (2026). Policing the Beats: Black Music, Racism and Criminal Injustice. Manchester University Press. ISBN 9781526171405.
  • Fatsis, L. and Lamb, M. (2021). Policing the Pandemic How Public Health Becomes Public Order. Policy Press. ISBN 9781447361077.
  • Carrigan, M. and Fatsis, L. (2021). The Public and their Platforms: Public Sociology in an Era of Social Media. Bristol University Press. ISBN 9781529201079.

Chapters (15)

  • Fatsis, L. (2026). Introduction. Policing the Beats: Black Music, Racism and Criminal Injustice Manchester University Press. ISBN 9781526171405.
  • Fatsis, L. (2026). Spitting Truth(S) to Power: Rap Music as Evidence of Racial Injustice. Palgrave Studies in Race, Ethnicity, Indigeneity and Criminal Justice (pp. 351-368). Springer Nature Switzerland. ISBN 9783032022417.
  • Fatsis, L. (2025). The Beat of the Gavel. The Cambridge Companion to Global Rap (pp. 158-167). Cambridge University Press. ISBN 9781316515266.
  • Fatsis, L. (2025). Racial Capitalism: A Guide for the Naysayer. In Fúnez-Flores, J.I., Díaz Beltrán, A.C., Ndlovu-Gatsheni, S.J., Bakshi, S., Lao-Montes, A. and Rios, F. (Eds.), The Sage Handbook of Decolonial Theory (pp. 522-532). SAGE Publications Limited. ISBN 9781036202293.
  • Fatsis, L. (2024). When the Exception Makes the Rules: Public Order Policing in the Aftermath of COVID-19. Criminalisation of Dissent in Times of Crisis (pp. 113-136). Springer Nature Switzerland. ISBN 9783031753756.
  • Fatsis, L. (2024). Beat(s) for Blame: UK Drill Music, ‘Race’, and Criminal Justice. In Dale, P., Burnard, P. and Travis, R. (Eds.), Music for Inclusion and Healing in Schools and Beyond Music for Inclusion and Healing in Schools and Beyond Oxford University Press. ISBN 0197692672.
  • In Di Ronco, A. and Selmini, R. (Eds.), (2024). Criminalisation of Dissent in Times of Crisis. In Springer Nature Switzerland. ISBN 9783031753756.
  • Fatsis, L. (2023). The Road, in Court: How UK Drill Music Became a Criminal Offence. In Levell, J., Young, T. and Earle, R. (Eds.), Exploring Urban Youth Culture Outside of the Gang Paradigm Critical Questions of Youth, Gender and Race On-Road (pp. 100-114). Bristol, UK: Policy Press. ISBN 9781529225570.
  • Fatsis, L. (2023). From Overseer to Officer: A Brief History of British Policing Through Afro-Diasporic Music Culture. In Cavalcanti, R.P., Squires, P. and Waseem, Z. (Eds.), Southern and Postcolonial Perspectives on Policing, Security and Social Order (pp. 45-61). Bristol, UK: Policy Press. ISBN 9781529223668.
  • Fatsis, L. (2023). Arresting Sounds What UK Soundsystem Culture Teaches Us about Police Racism and Public Life. In Charles, M. and Gani, M.W. (Eds.), Black Music in Britain in the 21st Century (pp. 181-198). Liverpool, USA: Liverpool Studies in the Polit. ISBN 9781802078404.
  • Fatsis, L. (2023). Decriminalising Rap Beat by Beat. Music in Crime, Resistance, and Identity (pp. 63-77). Routledge.
  • Fatsis, L. and Lamb, M. (2021). Safety without police: an abolitionist provocation. In Fatsis, L. and Lamb, M. (Eds.), Policing the Pandemic How Public Health Becomes Public Order Policy Press. ISBN 9781447361077.
  • Fatsis, L. (2021). Sounds Dangerous: Black Music Subcultures as Victims of State Regulation and Social Control. In Persak, N. and Di Ronco, A. (Eds.), Harm and Disorder in the Urban Space Social Control, Sense and Sensibility (pp. 30-51). Abingdon, UK: Routledge. ISBN 9780367552657.
  • Fatsis, L. (2021). Policing the Union’s Black: The Racial Politics of Law and Order in Contemporary Britain. In Gordon, F. and Newman, D. (Eds.), Leading Works in Law and Social Justice (pp. 137-150). Abingdon, UK: Routledge. ISBN 9780367714550.
  • Fatsis, L. (2019). Ensinando (com) imaginação sociológica – sugestões para acender uma esperança. In Ehlert Maia, J.M., Lopes Dos Santos, Y., Blank, T. and Fonseca, V. (Eds.), Como você ensina?: educação e inovação no ensino de história e de ciências sociais Editora FGV. ISBN 8522521565.

Internet publications (17)

  • Fatsis, L.(2024).Racism Runs Riot. British Society of Criminology Blog.
  • Fatsis, L.When cops analyse drill, but get it wrong still.
  • Fatsis, L.Stop Blaming Drill for Making People Kill.
  • Ilan, J., Kadiri, H., Owusu-Bempah, A., Quinn, E., Shiner, M. and Squires, P.Missing the point: How Policy Exchange Misunderstands Knife Crime in the Capital.
  • Fatsis, L.Black Tools for White Schools.
  • Cavalcanti, R., Dadusc, D. and Schlembach, R.Silencing the Streets: From Covid Exceptions to Police Crackdowns.
  • Fatsis, L.Who’s Afraid of Critical Race Theory Today.
  • Fatsis, L.Does Drill Kill? Moral panics, Race and Music.
  • Fatsis, L.News of Police Racism May Shock, But Should It Surprise.
  • Fatsis, L.Black Radical Thought in Sound.
  • Fatsis, L.Inside the COVID-19 State: Protecting Public Health Through Law Enforcement.
  • Fatsis, L.Thinking about Knife Crime Beyond Dangerous Myths and Comfortable Untruths.
  • Fatsis, L.When Police Racism is Denied, Does it Go Away.
  • Fatsis, L.Why the UK needs its own Black Lives Matter moment to wake up to police racism.
  • Fatsis, L.Policing Black Culture One Beat at a Time.
  • Fatsis, L.Now that Grime is Pop, When Will the Panic about Drill Music Stop.
  • Fatsis, L.Now that Grime is Pop, When Will the Panic about Drill Music Stop.

Journal articles (8)

  • Ngan, J., Fatsis, L. and Pali, B. (2026). Against logos as ideology: towards a critical criminology of ethos and pathos in the age of genocide. Justice, Power and Resistance pp. 1-11. doi:10.1332/26352338y2026d000000074

    [publisher’s website]

  • Fatsis, L. (2026). Spycops: Secrets and Disclosure in the Undercover Policing Inquiry. By R. Schlembach. The British Journal of Criminology. doi:10.1093/bjc/azag014

    [publisher’s website]

  • Fatsis, L. (2025). Science Without Conscience. Or How a Criminology Conference Bared the Discipline’s Dead Soul. Criminological Encounters

    [publisher’s website]

  • Schwarze, T. and Fatsis, L. (2022). Copping the blame: the role of YouTube videos in the criminalisation of UK drill music. Popular Music, 41(4), pp. 463-480. doi:10.1017/s0261143022000563

    [publisher’s website]

  • Fatsis, L. (2021). Book review: Ballad of the Bullet: Gangs, Drill Music, and the Power of Online Infamy. Crime, Media, Culture: An International Journal, 17(3), pp. 439-441. doi:10.1177/1741659020951654

    [publisher’s website]

  • Fatsis, L. (2019). Grime: Criminal subculture or public counterculture? A critical investigation into the criminalization of Black musical subcultures in the UK. Crime, Media, Culture: An International Journal, 15(3), pp. 447-461. doi:10.1177/1741659018784111

    [publisher’s website]

  • Fatsis, L. (2019). Policing the beats: The criminalisation of UK drill and grime music by the London Metropolitan Police. The Sociological Review, 67(6), pp. 1300-1316. doi:10.1177/0038026119842480

    [publisher’s website]

  • Fatsis, L. (2018). Becoming public characters, not public intellectuals. European Journal of Social Theory, 21(3), pp. 267-287. doi:10.1177/1368431016677977

    [publisher’s website]

Media (4)

  • Fatsis, L.(2026). Rap on trial: Why the UK must stop treating lyrics as evidence.
  • Fatsis, L. and Savopoulos, K.(2024). Tραπ μουσική και βία: Μπερδεύοντας τον στίχο με την πραγματικότητα.
  • Fatsis, L. and Oliver, A.(2024). When Art Becomes Evidence.
  • Gordon, M. and Fatsis, L.(2023). Chasing Black Folk Devils, One Beat at a Time: UK Drill Music, Police Racism and Street Knowledge.

Other (2)

  • Fatsis, L. Book Review: Sensory Penalities: Exploring the Senses in Spaces of Punishment and Social Control.
  • Fatsis, L. Racism Runs Riot.

Professional activities

Consultancy (12)

  • AudioActive (Charity) (May 2022 - present)
    Trustee (until August 2023) and Advisor (August, 2023-present)
  • Prosecuting Rap (November 2019 - present)
    https://sites.manchester.ac.uk/prosecuting-rap/home/legal/
  • ZMS Legal (Private Sector)
    Independent Expert Witness for the Defence
  • MetroLaw Solicitors
    Independent Expert Witness for the Defence
  • Tuckers Solicitors (Private Sector)
    Independent Expert Witness for the Defence
  • Lawtons Solicitors
    Independent Expert Witness for the Defence
  • Carson Kaye Solicitors
    Independent Expert Witness for the Defence
  • Hine Solicitors
    Independent Expert Witness for the Defence
  • 25 Bedford Row: Criminal Barristers
    Independent Expert Witness for the Defence
  • Cambrose Solicitors
    Independent Expert Witness for the Defence
  • RBB Law
    Expert Witness Statement Report
  • SVS Solicitors
    Expert Witness Statement/Report

Events/conferences (42)

  • British International Studies Association (BISA). (Conference) (2026). Invited speaker.
    Paper: No Exception But the Rule(s): Policing as a Permanent Coup d’État.
    Author: Fatsis, L.
  • Policing the Beats : Black music, racism and criminal injustice in Britain. (Public lecture) Warwick Law School (University of Warwick) (2026).
    Author: Fatsis, L.
    Description: https://www.eventbrite.com/e/policing-the-beats-black-music-racism-and-criminal-injustice-in-britain-tickets-1987941820499
  • Readers and Writers Festival (Brixton Tate Library). (Public lecture) Brixton Tate Library (2026). Invited speaker.
    Paper: Policing the Beats: Black Music, Racism and Criminal Injustice
    Author: Fatsis, L.
  • Crime, Culture and the City. (Conference) (2026). Panel Member Invited speaker.
    Description: Panel Discussion: Cultural and Urban Criminology and our Current Moment with: Molly Ackhurst, Lambros Fatsis, Jennifer Fleetwood, Jonathan Ilan and Eugene McLaughlin
  • Lambros Fatsis in Conversation with Adèle Oliver (Housmans Bookshop). (Public lecture) (2026).
    Description: https://housmans.com/event/book-launch-policing-the-beats-lambros-fatsis-in-conversation-with-adele-oliver/ Audio recording available (below): https://www.youtube.com/watch?v=i3tvstJYWzs
  • Imagine! Belfast Festival Of Ideas And Politics. (Public lecture) (2026). Invited speaker.
  • Lambros Fatsis | Policing the Beats (Fane Productions). (2026). Invited speaker.
    Description: https://www.youtube.com/watch?v=bxRYbLa4J0U
  • Ethical Matters: Policing the Police. (Public lecture) Conway Hall (London) (2026). Invited speaker.
    Description: https://www.conwayhall.org.uk/whats-on/event/policing-the-police/
  • Risky Character in Crime and Writing on Crime. Jesus College (University of Cambridge) (2026). Panel Member
    Paper: Raving Criminals: Drill Music as ‘Evidence’ of Criminal Wrongdoing
    Author: Fatsis, L.
    Description: https://www.law.cam.ac.uk/press/events/2026/02/jesus-college-intellectual-forum-risky-character-crime-and-writing-crime
  • Transatlantic Rap Cultures and the Black Diaspora. Université Sorbonne Nouvelle (2026). Invited speaker.
    Paper: “‘Music is our Ally and our Witness’: Rap music as an Instrument of Liberatory World-making
    Author: Fatsis, L.
  • European Society of Criminology Annual Conference. (2025). Panel Member
    Paper: Danger in Their Rhymes: ‘Crime’ and Misogyny in Greek Trap Music
    Author: Fatsis, L.
  • Society Uncensored | The power of Greek Rap. (Public lecture) Onassis Stegi (Athens, Greece) (2025). Invited speaker.
    Description: https://www.youtube.com/watch?v=CU4lhRnWxrg&vl=en
  • LHub Seminar Series (Institute of Advanced Legal Studies). Institute of Advanced Legal Studies (London) (2025). Panel Member
    Paper: Necrosonics: Rap, Race, and Policing
    Author: Jisha Menon
    Description: https://ials.sas.ac.uk/events/lhub-seminar-series-prof-jisha-menon-stanford-necrosonics-rap-race-and-policing
  • Towards a new hearing for drill and other Black musical genres Workshop. (Workshop) London (2025). Invited speaker.
    Author: Lambros Fatsis
    Description: A workshop co-convened by Justice and the University of Oxford, bringing together a group of people with relevant experience of working with communities to: (1) gather evidence on successful strategies for shifting narratives and mindsets; (2) identify key aspects of lived experience to be communicated and key priorities for communities.
  • The Impact of Drill Music in Child Exploitation and Violence. (Seminar) Online/multiple locations (2025). Invited speaker.
    Paper: Beat(s) For Blame: UK Drill Music & Criminal Injustice
    Author: Lambros Fatsis
    Description: https://nwgnetwork.org/event/the-impact-of-drill-music-in-child-exploitation-and-violence/
  • Southern and Postcolonial Perspectives on Policing, Security and Social Order. (Seminar) University of Bristol (2024). Invited speaker.
    Paper: From Overseer to Officer: A Brief History of British Policing Through Afrodiasporic Music Culture
    Author: Lambros Fatsis
  • Folks Need to Chill about Drill. On Rap, Freedom and Social Justice. University of Cardiff (2024).
    Description: A video recording of this contribution can be found below: https://www.youtube.com/watch?v=CrutAL59w6I
  • Rhyme and Reality: Youth work in the booth. Queen Mary University of London in collaboration with Spotlight Creative Youth Service (2024). Panel Member Invited speaker.
    Paper: "Crhyme": How rappers’ rhymes are turned into ‘crimes’, due to legal penal tactics that transform creative expression into a legally punishable offence
    Author: Fatsis, L.
    Description: https://www.eventbrite.co.uk/e/rhyme-and-reality-youth-work-in-the-booth-tickets-881316680917
  • Regulating Music and Sound (Merton College, University of Oxford). (Workshop) (2024). Panel Member
    Author: Fatsis, L.
    Description: https://talks.ox.ac.uk/talks/id/cc269368-d9e3-455f-83dc-e94b3d157bfe/
  • Race and Justice Seminar Series (University of York, BSC Race Matters Network). (Seminar) (2024). Invited speaker.
    Paper: Spitting Truth(s) to Power: Rap Music as Evidence of Racial Injustice
    Author: Fatsis, L.
    Description: https://www.york.ac.uk/sociology/about/department/race-and-justice-seminar-series/2024/spitting-truths/
  • New Frontiers in Evidence. (2023). Invited speaker.
    Paper: Rap Evidence in the Courts of England and Wales
    Author: Lambros Fatsis
    Description: https://www.innertemple.org.uk/events/?id=EVT01490
  • Society of Labour Lawyers/Labour Conference. (Conference) (2023). Invited speaker.
    Paper: Drill music and racial bias in criminal trials
    Author: Fatsis, L.
  • The XXII European Society of Criminology Conference. (2023). Invited speaker.
    Paper: When the Exception Makes the Rules
    Author: Fatsis, L.
  • Policing and Public Health: Logics of Power and Resistance (University of Liverpool). (2023). Invited speaker.
    Author: Fatsis, L.
    Co-authors: Lamb, M.
  • North South Criminology Conference (Dublin City University). (Conference) (2023). Invited speaker.
    Paper: Policing Black Music(s) Here, There and Now: A Brief History in Three Beats
    Author: Lambros Fatsis
    Description: Plenary Talk
  • Fight The Power Conference, Centre National de la Recherche Scientifique (CNRS). (2023). Invited speaker.
    Paper: Sounds Bad: Policing UK Drill Music One Beat at a time
    Author: Lambros Fatsis
  • CRASSH University of Cambridge. (2022). Invited speaker.
    Paper: Thinking Against Babylon, One Beat at a Time: Black Music as Radical, De-colonial Epistemology
    Author: Fatsis, L.
  • Hodder Education Sociology Conference. (2022). Invited speaker.
    Paper: Policing UK Drill Music: Institutional Racism Reloaded?
    Author: Fatsis, L.
  • SOAS Graduate Summer Institute: Creative, Decolonised Research Methods and Impact. (2022). Invited speaker.
    Paper: Black Music as Method: An Intellectual Provocation Beyond the white Mainsteam
    Author: Fatsis, L.
  • Race and Resistance (TORCH Oxford). (2022).
    Paper: A Conversation on Prisons, Policing, and Abolition
    Author: Fatsis, L.
    Co-authors: Lamble, S.
  • Sonic Rebellions (University of Brighton). (2022). Invited speaker.
    Paper: Speakers’ Corner: Soundsystem Culture as Black Radical Epistemology
    Author: Fatsis, L.
  • Reimagining the prison system (Bristol University Press Webinar). (Seminar) (2022). Invited speaker.
    Author: Fatsis, L.
    Description: https://www.youtube.com/watch?v=OPqY7553yi4
  • Contemporary Urban Music for Inclusion Network (University of Cambridge). (2022). Invited speaker.
    Paper: Beat For Blame: UK Drill Music, “Race” and Criminal Injustice
    Author: Fatsis, L.
  • The Sights of Criminal Justice (University of Sheffield). (2021).
    Paper: Is It Even Art: Policing Against UK Drill Music
    Author: Fatsis, L.
  • Prosecuting Rap Conference, University of Manchester. (2021). Invited speaker.
    Paper: Beat Catchers: Policing “Race” Through Rap, One Rhyme at a Time
    Author: Fatsis, L.
  • National Combatting Gangs, Violence and Weapon Crime’ Conference. (2021). Invited speaker.
    Paper: Thinking About ‘Gangs’, Violence and ‘Crime’ Beyond Dangerous Myths and Comfortable Untruths
    Author: Fatsis, L.
  • Policing Culture Conference (University of Sussex). (2020).
    Paper: From Overseer to Officer: A Brief History of British Policing Through Hip-Hop Culture’
    Author: Fatsis, L.
  • SCDTP research methods festival. (Conference) (2019). Invited speaker.
    Paper: Doing research with Words, Sound & Power: A De-colonial Provocation
    Author: Fatsis, L.
  • British Council and Newton Fund Researcher Links Workshop, University of Brasilia, Brasilia. (2019). Invited speaker.
    Paper: Danger in Their Rhymes: Policing Black Music Subcultures Out of Intellectual and Public Life
    Author: Fatsis, L.
  • Research for social impact: purpose, connections and tensions of engaged (University of Southampton). (2018). Invited speaker.
    Paper: “What D’You Call ‘Em?” Re-thinking the role of intellectuals in public life with different protagonists in mind
    Author: Fatsis, L.
  • Seminário ‘Como Você Ensina? Novos desafios e estratégias no ensino de Ciências Sociais e História, Fundação Getulio Vargas (FGV), Rio de Janeiro (Brazil). (2017). Invited speaker.
    Paper: Suspect Sounds: Policing Against Black Music in the UK and Brazil
    Author: Fatsis, L.
  • American Society of Criminology (Annual Meeting 2016) Area IV, Sub area 16: Race, Ethnicity, and Nationality. (2016). Invited speaker.
    Paper: Policing the beats: The criminalisation of Black musical subcultures by the London Metropolitan Police
    Author: Fatsis, L.

Keynote lectures/speeches (7)

  • Keynote Address for the ‘Working with Chaos: Exploring Lived Experience Conference, Sound Connections. London, UK (2023). https://www.sound-connections.org.uk/events/working-with-chaos-exploring-lived-experience/
  • Policing Emergencies’, Edinburgh Radical Book Fair. Edinburgh (2022). https://lighthousebookshop.com/events/policing-emergencies
  • What’s Culture Got Do With It? Reintroducing Policing as a Cultural Institution (CJC, University of Warwick Law School). University of Warwick (2022).
  • Out of Tune, Out of Place and Out of Order: A Brief History of Policing Against Black Music(s), Centre for Applied Sociology seminar series, University of Greenwich. (2021). https://www.youtube.com/watch?app=desktop&v=sirZ4AUXaY8&pp=ygUTI2NocmlzdG9waGVybGFtYnJvcw%3D%3D
  • Beat Cops: What the Policing of UK Grime & Drill Music Teaches us about Police Racism in the UK, Centre for Criminology, University of Essex. (2021).
  • Thinking with Music about Police Racism, State Violence and Social Justice, AA School of Architecture Summer School. (2020). https://www.youtube.com/watch?v=RFmwZaPX7m4
  • Keynote Speech at the SCDTP End of Year Conference. University of Southampton (2018).

Media appearances (4)

  • How Black British rappers are being censored by the police. https://www.dazeddigital.com/music/article/61547/1/how-black-british-rappers-are-being-censored-by-the-police-art-not-evidence?utm_term=how-black-british-rappers-are-being-censored-by-the-police&utm_content=buffer4b27a&utm_medium=social&utm_source=twitter&utm_campaign=dazedtw
  • The Racial Problem with the UK's Rap Ambassador (the griot(s) podcast). https://www.youtube.com/watch?v=kR4m8m8SSgs
  • Criminalizing the Beat: Policing Black Music from Reggae to Drill. https://open.substack.com/pub/drnaledge/p/criminalizing-the-beat-policing-black?utm_campaign=post&utm_medium=web
  • Interview for the Unlocking Academia Podcast. https://share.transistor.fm/s/9882a4ab

Online articles (3)

  • Αστυνομεύοντας τη Μουσική. (2025). Economia Interviewed for an article on the policing of Black/Afrodiasporic music(s)
  • Τι ποινικοποιείται όταν ποινικοποιείται η (τ)ραπ μουσική;. (2025). Eteron
  • Polarise, Divide and We're Done. (2015). I Kathimerini

Radio programmes (3)

  • The Archipelago feat. Lambros Fatsis (Stegi Radio, Onassis Foundation). (Stegi Radio, Onassis Foundation) (2026). https://stegi.radio/show/the-archipelago-feat-lambros-fatsis-pt-1-2026-03-29
  • Boogaloo Radio (w/Jim Fry). (2026). https://www.mixcloud.com/BoogalooRadio/jim-fry-270226/
  • BBC Radio Sussex – Sussex Breakfast. BBC Radio Sussex (2020).

Television programme

  • Sounds of Gangs. RAI3 (2021). https://www.rai.it/ufficiostampa/assets/template/us-articolo.html?ssiPath=/articoli/2021/07/Il-Fattore-Umano-presenta-Sounds-of-Gangs-f9d2faa1-8e5a-4ef0-8f62-6cb41dd88d43-ssi.html

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